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The Penguin Book of Japanese Short Stories

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A major new anthology of great Japanese short stories introduced by Haruki Murakami This fantastically varied and exciting collection celebrates the great Japanese short story collection, from its origins in the nineteenth century to the remarkable practitioners writing today. Curated by Jay Rubin (who has himself freshly translated several of the stories) and introduced by A major new anthology of great Japanese short stories introduced by Haruki Murakami This fantastically varied and exciting collection celebrates the great Japanese short story collection, from its origins in the nineteenth century to the remarkable practitioners writing today. Curated by Jay Rubin (who has himself freshly translated several of the stories) and introduced by Haruki Murakami this is a book which will be a revelation to many of its readers. Short story writers already well-known to English-language readers are all included - Tanizaki, Akutagawa, Murakami, Mishima, Kawabata, Yoshimoto - but also many surprising new finds. From Tsushima Yuko's 'Flames' to Sawanishi Yuten's 'Filling Up with Sugar', from Hoshi Shin'ichi's 'Shoulder-Top Secretary' to Yoshimoto Banana's 'Bee Honey', The Penguin Book of Japanese Short Stories is filled with fear, charm, beauty and comedy.


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A major new anthology of great Japanese short stories introduced by Haruki Murakami This fantastically varied and exciting collection celebrates the great Japanese short story collection, from its origins in the nineteenth century to the remarkable practitioners writing today. Curated by Jay Rubin (who has himself freshly translated several of the stories) and introduced by A major new anthology of great Japanese short stories introduced by Haruki Murakami This fantastically varied and exciting collection celebrates the great Japanese short story collection, from its origins in the nineteenth century to the remarkable practitioners writing today. Curated by Jay Rubin (who has himself freshly translated several of the stories) and introduced by Haruki Murakami this is a book which will be a revelation to many of its readers. Short story writers already well-known to English-language readers are all included - Tanizaki, Akutagawa, Murakami, Mishima, Kawabata, Yoshimoto - but also many surprising new finds. From Tsushima Yuko's 'Flames' to Sawanishi Yuten's 'Filling Up with Sugar', from Hoshi Shin'ichi's 'Shoulder-Top Secretary' to Yoshimoto Banana's 'Bee Honey', The Penguin Book of Japanese Short Stories is filled with fear, charm, beauty and comedy.

30 review for The Penguin Book of Japanese Short Stories

  1. 5 out of 5

    Rachel

    I spent a while with this collection and I think on the whole it's stronger than the sum of its parts. Apparently my average rating for these 34 stories was 3.35 stars, but it still feels like a 4-star collection to me, because it absolutely got its job done: introducing me to a number of authors whose work I'm interested in exploring further. Curated by Jay Rubin and introduced by Murakami, this collection is arranged thematically rather than chronologically: there's a section on natural and man I spent a while with this collection and I think on the whole it's stronger than the sum of its parts. Apparently my average rating for these 34 stories was 3.35 stars, but it still feels like a 4-star collection to me, because it absolutely got its job done: introducing me to a number of authors whose work I'm interested in exploring further. Curated by Jay Rubin and introduced by Murakami, this collection is arranged thematically rather than chronologically: there's a section on natural and man-made disasters, a section whose stories are unified by the theme of dread, and a section on the values of Japanese soldiers, among others. Jay Rubin writes in his forward that he wanted this collection to reflect his personal taste rather than serving as a more generic primer to Japanese lit, and for better or worse I think that shows: I didn't understand why every single one of these stories was chosen, but I did feel like I got a clear sense of Rubin as a reader, and why shouldn't an anthology say something about its editor? There were three main standouts for me: (1) Dreams of Love, Etc by Kawakami Mieko: A woman is invited into her neighbor's house, and her neighbor confesses that although she loves playing the piano, she's unable to play a certain piece straight through when someone is watching, and she entreats the protagonist to sit with her until she's able to play the piece perfectly. Compelling, sensual, and subtle, but still rewarding. (2) Hell Screen by Akutagawa Ryunosuke: The talented but contemptible painter Yoshihide is commissioned to create a folding screen that depicts Buddhist hell. As he's unable to paint an image that he hasn't seen firsthand, he inflicts torture on his apprentices. The climax, though it's easy to see it coming from a mile away, still somehow manages to shock, with horrifying imagery that isn't easily forgotten. (3) Insects by Seirai Yuichi: Set against the backdrop of the bombing of Nagasaki, Insects follows an elderly woman whose lifelong love had died fifteen years ago, after having been married to another woman. Brutal and tender all at once. There are a handful of other noteworthy stories worth mentioning. The story that opens the collection, Tanizaki Jun'ichiro's The Story of Tomoda and Matsunaga reads like a film noir mystery but ultimately takes a philosophical turn, ruminating on the conflicting values of the East and the West. Factory Town by Betsayaku Minoru is wry and clever and achieves a lot with its brevity. American Hijiki by Nasaka Akiyuki provides a frighteningly honest look at Japanese post-war psychology. And of course, Mishima Yukio's Patriotism and its graphic, visceral depiction of seppuku will probably haunt me to my dying day. But I have two main criticisms of this collection: one about its composition and one about its selection. While I enjoyed the thematic arrangement, why oh why weren't the stories' publication dates readily accessible?! All the dates were listed somewhere in Murakami's introduction, but it took a lot of flipping back and forth and I would have liked the date listed alongside the title, author, and translator. The second and larger criticism is that only 9 of these 34 stories are by women, so needless to say we can do better than a mere 26%. Still, I found this to be a really solid introductory collection for anyone looking to expand their horizons and discover some new favorite Japanese writers, some seminal and some more obscure. Thanks so much to Penguin for the copy provided in exchange for an honest review.

  2. 4 out of 5

    Nabilah Firdaus

    This is by far one of the most fulfilling and rewarding collection I’ve ever read in my entire life. Introduced by none other than Murakami, edited by Jay Rubin and, more importantly, I am introduced to new Japanese authors, spanning from classics to modern authors that I am not familiar with. What could possibly go wrong with this? The stories ranged from the 1890s to the present day and grouped together in themes - Japan and The West, Loyal Warriors, Men and Women, Nature and Memory, Modern Lif This is by far one of the most fulfilling and rewarding collection I’ve ever read in my entire life. Introduced by none other than Murakami, edited by Jay Rubin and, more importantly, I am introduced to new Japanese authors, spanning from classics to modern authors that I am not familiar with. What could possibly go wrong with this? The stories ranged from the 1890s to the present day and grouped together in themes - Japan and The West, Loyal Warriors, Men and Women, Nature and Memory, Modern Life and Othe Nonsense, Dread and Disasters, Natural and Man-Made. The following is the list of my favourite stories in the anthology: 1. The Story of Tomoda and Matsunaga by Jun’ichiro Tanizaki 2. Patriotism by Yukio Mishima 3. Remaining Flowers by Nakagami Kenji 4. Hell Screen by Ryūnosuke Akutagawa 5. Filling Up With Sugar by Yūten Sawanishi 6. Hiroshima, City of Doom by Ōta Yōko. I also loved that it includes notes on Japanese name order and pronunciation, notes on some unfamiliar terms or incidents that made the whole reading experience even better than it already was. This astounding anthology is very enlightening in a sense, and I’m pretty sure I would revisit this gem in the future. Highly recommended for those who are into Japanese literature!

  3. 4 out of 5

    L S Popovich

    Since I've read every word Haruki Murakami has published in English I felt obligated to read his introduction once it showed up in the preview on Amazon. People saying "Haruki Murakami is my favorite author" has now become a cliche. But cliches can sometimes be true. His introduction was nice and long and juicy. My impression of the collection of stories was that they were chosen, as Mr. Rubin explains, for the casual reader. Maybe it's pretentious but I consider myself more than a casual reader Since I've read every word Haruki Murakami has published in English I felt obligated to read his introduction once it showed up in the preview on Amazon. People saying "Haruki Murakami is my favorite author" has now become a cliche. But cliches can sometimes be true. His introduction was nice and long and juicy. My impression of the collection of stories was that they were chosen, as Mr. Rubin explains, for the casual reader. Maybe it's pretentious but I consider myself more than a casual reader of Japanese fiction. I have an entire bookcase devoted to Japanese literature. I like to imagine what stories I would have picked if I had the opportunity to compile an anthology of this kind. There are new translations, which are sorely needed in this day and age. Akutagawa's previously untranslated short story "General Kim" was my favorite inclusion. Out of Akutagawa's 300+ works only 77 have thus far been translated into English. Since he's one of my other favorite authors I've actually gone to extremely nerdy lengths to read them all. I wish Rubin would just translate all of Akutagawa already. And maybe Bakin while he's at it. I am glad that he put a lot of translating into this volume, but why include "Patriotism" and the first chapter of Sanshiro? Not only do they take up valuable space but they are available almost anywhere. I buy anthologies because they contain stories on the brink of obscurity. Where are all the translations of Hiromi Kawakami or Junnosuke Yoshiyuki? I would have liked to see something new from Ryu Murakami, who never gets anthologized but is one of the best Japanese writers of all time. I gave this book four stars because it was excellent, but it really could've gotten five. The two stories by Haruki are previously available, but luckily we get something new by Banana Yoshimoto and Akutagawa which save this collection, in my opinion, from being a rehashing. It's hard to find Kenji Nakagami and we are treated to a new story by Mieko Kawakami, which was appreciated, so while I would not recommend this for your shelf if you can only have one Japanese literature anthology - it's hard to beat the two volume Columbia anthology - I'd put it in my top 5 Japanese literature anthologies. Yes, I am that much of a geek that I would create a top five. Though this is a step in the right direction there's about 3000 miles of stepping left to do if we are ever going to get the most out of J. Lit. I keep asking myself, why can't I just read Japanese? Oh yeah, it's insanely difficult. Anyway, check it out if you are a fan.

  4. 4 out of 5

    Karen

    This is a collection of both well known to me Japanese authors, as well as those I have not heard of before. I enjoyed this collection, with an introduction by a favorite author, Murakami. As always, I enjoyed some more than others.

  5. 4 out of 5

    Gavin

    All the classic contradictions - kawaii and banality, sullen obesiance and batshit intensity, mono no aware and sexual frustration. There are five great stories (“Hell Screen”, 'Sanshirō', “American Hijiki”, “Pink”, “Mr. English”) and 10 or so enjoyable squibs (out of around 40). There aren't many great sentences, but greatness doesn't strictly need em. spinning slowly all in unison, and Naomi found herself joining them, looking up into the sky just as she had before, but this time she felt she w All the classic contradictions - kawaii and banality, sullen obesiance and batshit intensity, mono no aware and sexual frustration. There are five great stories (“Hell Screen”, 'Sanshirō', “American Hijiki”, “Pink”, “Mr. English”) and 10 or so enjoyable squibs (out of around 40). There aren't many great sentences, but greatness doesn't strictly need em. spinning slowly all in unison, and Naomi found herself joining them, looking up into the sky just as she had before, but this time she felt she was falling, and...perhaps... they could go back to before they'd twisted their bodies in wicked prayer and find some other way to free themselves from a world become a living hell, and so she vowed that once they'd wound the world back a full nineteen years, they would take it in their hands again and make it theirs at last; on and on she spun, every revolution a prayer in reverse. Conspicuous by its absence is Shōwa fascism* - there are no positive or negative references, nor (modern German-style) defensive rightful disownment. The war is there, the terrible firestorms, the terrible hunger; but nothing of the cult (a death cult, king cult, Prussia cult, and race cult) that caused them. There is a little bit of Edo totalitarianism (a lord having a maiden burned alive to render a painting of hell more realistic) at least. That said, one of the great achievements of 'American Hijiki' is to show how resentment and insularity can come from other sources than hibakusha trauma or psychotic Imperial pique. no Japanese can understand it, probably, if he's not my age. No Japanese who can have an ordinary conversation with an American, who can go to America and have Americans all around him without going crazy, who can see an American enter his field of vision and feel no need to brace himself, who can speak English without embarrassment, who condemns Americans, who applauds Americans, no Japanese like this can understand... what I have is an incurable disease, the Great American Allergy. The allure and/or horror of Western things (booze, books, bodies) features in maybe half of these. It is very common for the stories to end on an inconclusive, ambiguous, middle-distance-staring notes. I continue to see little in Mishima's lascivious, sadistic honour, though I suppose I should thus admire the portrayal of an alien outlook, which might well have overtaken the liberal-ironic-rationalist one. But Akutagawa does that better. In general I didn't see much correlation between eminence and quality (though this judgment is from behind that thick screen, translation). Only one piece, 'Same as Always' (about harming your child) stands for Japan's powerful, distinctive kind of horror. The Hiroshima piece is surprisingly flat, journalistic. I've cried at exhibits about the bombs before, so it ain't me. I liked Murakami's introduction, where he admits hostility to, and ignorance of, modern Japanese fiction: for a long while I was convinced that, with a few exceptions, early modern and contemporary Japanese literature was simply boring. There were many reasons for this, but foremost among them may be that the novels and stories we were assigned to read in school were pretty bad. My “I-novel allergy” was also quite strong back then (these days, to be sure, it has become less intense), and since you can’t hope either to make your way through or to understand modern Japanese literature if you’re going to avoid its constitutional predisposition to producing “I novels,” I made a conscious effort while young to avoid getting anywhere near Japanese literature. though both of his included stories are kind of dull, unaffecting. --- * In a sense, Imperial Japan was too fascist to be fascist, since "fascism" was a filthy European idea. --- Ranked: • “Hell Screen” by Ryūnosuke Akutagawa • 'Sanshirō' by Natsume Sōseki • “American Hijiki” by Akiyuki Nosaka • “Pink” by Tomoyuki Hoshino • “Mr. English” by Keita Genji • “In the Box” by Taeko Kōno • “Remaining Flowers” by Kenji Nakagami • “Hiyoriyama” by Kazumi Saeki • “Closet LLB” by Kōji Uno • “The Story of Tomoda and Matsunaga” by Jun'ichirō Tanizaki • “Filling Up with Sugar” by Yūten Sawanishi • “The Silver Fifty-sen Pieces” by Yasunari Kawabata • “The Tale of the House of Physics” by Yōko Ogawa • “Hiroshima, City of Doom” by Yōko Ōta • “Shoulder-Top Secretary” by Shin'ichi Hoshi • “Cambridge Circus" by Motoyuki Shibata • “Peaches” by Abe Akira • “UFO in Kushiro” by Haruki Murakami Below the cut: • “Unforgettable People” by Doppo Kunikida • “The Last Testament of Okitsu Yagoemon” by Ōgai Mori • “The Great Earthquake” by Ryūnosuke Akutagawa • “Patriotism” by Yukio Mishima • “Same as Always” by Yūya Satō • “Bee Honey” by Banana Yoshimoto • “Dreams of Love, Etc.” by Mieko Kawakami • “The Smile of a Mountain Witch” by Minako Ohba • “A Bond for Two Lifetimes—Gleanings” by Fumiko Enchi • “Planting” by Aoko Matsuda • “Flames” by Yūko Tsushima • “The 1963/1982 Girl from Ipanema” by Haruki Murakami • “Factory Town” by Minoru Betsuyaku • “Insects” by Yūichi Seirai • “Kudan” by Hyakken Uchida • “Behind the Prison” by Kafū Nagai

  6. 5 out of 5

    Andrew

    This book has taken me a while to read - not because it’s bad, but because I tend to read a few short stories between books. I can’t get into short story collections like a novel, I dip in and out of them over a period of time. This is actually one of the best collections that I have read. It has a very high hit rate - most short story collections are, for me, more miss than hit, but this is definitely the other way round. The stories vary from three pages to just over seventy. They are grouped This book has taken me a while to read - not because it’s bad, but because I tend to read a few short stories between books. I can’t get into short story collections like a novel, I dip in and out of them over a period of time. This is actually one of the best collections that I have read. It has a very high hit rate - most short story collections are, for me, more miss than hit, but this is definitely the other way round. The stories vary from three pages to just over seventy. They are grouped together in themes - Japan’s relationship with the West, disasters (natural and man made) and are not presented in chronological order, although there are a number of suggested reading orders and one of those is based around when the stories are set. I read them in theme order as presented in the book. There are a number of standout tales here. I adored the opening offering, “The Story Of Tomoda and Matsunaga” as well as the grim “Hell Screen” and a tale of people of lived in Hiroshima when the nuclear bomb fell. In fact, as I read the title list I have a distinct memory of most of the stories, most of the time if I looked back through a list of titles on a short story collection after reading it I would remember less than half as many would singularly fail to grab my attention. This is a collection based on the opinions of worthiness of one editor, and he has done a spectacular job. It is also a bonus that the introduction is written my Haruki Murakami, one of my favourite authors Japanese or otherwise, and two of his short stories are included here (oddly, two of the less memorable ones!) I hope there are more books like this. A similarly constructed collection about cultures that I don’t know all that well would be fascinating, such as China or Mexico. But definitely worth a look - it has reinvigorated my interest in short stories, unexpectedly so as this was not a book that I would necessarily have chosen to buy, it was an unexpected gift from a good friend.

  7. 5 out of 5

    Justyna Szumiec

    It's a perfect way to start your adventure with Japanese literature. I really enjoyed it, though it is absolutely impossible to rate this book. Every short story has its own rating and this anthology wasn't created in order to become the best among its category. It is supposed to introduce you to many different authors. Great read. Tanizaki Jun'ichiro - The Story of Tomoda and Matsunaga 4/5 -a really clever idea of showing how Japanese people were (and often still are) torn between their love&am It's a perfect way to start your adventure with Japanese literature. I really enjoyed it, though it is absolutely impossible to rate this book. Every short story has its own rating and this anthology wasn't created in order to become the best among its category. It is supposed to introduce you to many different authors. Great read. Tanizaki Jun'ichiro - The Story of Tomoda and Matsunaga 4/5 -a really clever idea of showing how Japanese people were (and often still are) torn between their love&hate for the West and their own culture in comparison. Nagai Kafu - Behind the prison 1/5 -God, I hated this one. A lazy, always complaining rich boy describes to you how he cannot do anything with his life. Natsume Soseki - Sanshiro 3,5/5 Mori Ogai - The Last Testament of Okitsu Yagoemon -/5 (unsure) Mishima Yukio - Patriotism -/5 (again unsure, both of these stories deal with the delicate topic of suicide) -I found it difficult to enjoy these stories since the main theme was very unsettling for me. Tsushima Yuko - Flames 2,5/5 Kono Taeko - In the Box 3,5/5 -"Bizzare" was created to describe the idea behind this one. Nakagami Kenji - Remaining Flowers 1/5 Yoshimoto Banana - Bee Honey 4/5 Ohba Minako - The Smile of a Mountain Witch 4/5 Enchi Fumiko - A Bond for two lifetimes 4,5/5 Abe Akira - Peaches 3/5 Ogawa Yoko - The Tale of the House of Physics 4,5/5 -Somehow it really stayed with me. Kunikida Doppo - Unforgettable People 2,5/5 Murakami Haruki - The 1963/1982 Girl from Ipanema 3,5/5 Shibata Moriyuki - Cambridge Circus 1/5 Uno Koji - Closet LLB 2/5 Genji Keita - Mr English 3/5 Betsuyaku Minoru - Factory Town 4/5 -Reminded me a lot of Hoshi Shin'ichi. Wonderful. Kawakami Mieko - Dreams of Love, etc. 3/5 Hoshi Shin'ichi - Shoulder-Top Secretary 5/5! -I will definitely read more of his work in the future. I love how he uses science fiction to comment on Japanese society. Akutagawa Ryunosuke - Hell Screen 4/5 -Atmospheric, engaging - I could have expected that from a legendary author. Sawanishi Yuten - Filling up with sugar 5/5! -The best short story of this entire anthology. From the very first line I was captured and couldn't look away. Crossing my fingers for this author to be translated into English soon. Highly reccommend!!! Uchida Hyakken - Kudan 3,5/5 Akutagawa Ryunosuke - General Kim 3/5 Oka Yoko - Hiroshima, City of Doom 4/5 Seirai Yuichi - Insects 4,5/5 Kawabata Yasunari - The fifty sen pieces 3,5/5 Nosaka Ariyuki - American Hijiki 4/5 Hoshino Tomoyuki - Pink -/5 (I have literally no recollection of this story) Murakami Haruki - UFO in Kushiro 2/5 Saeki Kazumi - Weather-Watching Hill -/5 (again, no memory) Matsuda Aoko - Planting 2/5 Sato Yuya - Same as Always 4,5/5 -Chilling tale of a housewife trying to kill her baby. At the same time - much more.

  8. 4 out of 5

    Debumere

    This was great, a really good variety of stories in here. Definitely recommend. Also recommend skipping the preface, just get to the stories.

  9. 4 out of 5

    Mike

    Looking back at the books I have read recently has left me a little disappointed, so I thought "why not find something classic to pull me out of this funk?"... I just downloaded this collection to my iPad. If I cannot find something surprising here, the problem lies in me.

  10. 4 out of 5

    Shivani Maurya

    While I was reading this book, I found myself wondering why I love Japanese literature to the extent I do. It is one of the most exclusive set of literature based on a culture that differs markedly from any other. Even though Japan has been one of the fast developing nations in the past century, one cannot draw parallels with the West. A nation that had closed itself off to the rest of the world, went through feudal wars for centuries, saw the birth of samurai class, emergence of shogunate and g While I was reading this book, I found myself wondering why I love Japanese literature to the extent I do. It is one of the most exclusive set of literature based on a culture that differs markedly from any other. Even though Japan has been one of the fast developing nations in the past century, one cannot draw parallels with the West. A nation that had closed itself off to the rest of the world, went through feudal wars for centuries, saw the birth of samurai class, emergence of shogunate and gave birth to one of a kind art forms. And only as late as the 1800s did they start opening up to the West. A point in history that marked a brutal upheaval on a national scale in coming centuries. Despite the ensuing turmoil, Japan can be credited with a stubborn hold on its tradition. And therein lies my answer. The surviving body of literature from the writers of the past who overlapped with the assimilation of the West and those of the present gives one a taste of a world gradually lost and a new world born from the ashes. Reading the old works is akin to getting whisked back to simpler times before atomic bombs and insidious moral corruption. It is this feeling of traversing between worlds that brings me back for more. This collection has three major points for recommendation: 1) The editor/translator Jay Rubin, who has worked on some of the notable Japanese books (including Murakami's) 2) Murakami himself, who has added a contextual introduction for the stories contained herein Last but definitely not the least, 3) The stories, from a horde of authors As with my other reviews of short story collections, I concur that the stories here deserve a mention with their own ratings.. 5★ The Story of Tomoda and Matsunaga 3★ Behind the Prison 4★ Sanshiro 3★ The Late Testament of Okitsu Yagoemon 5★ Patriotism 3★ Flames 3.5★ In the Box 4★ Remaining Flowers 3★ Bee Honey 4.5★ The Smile of a Mountain Witch 4★ A Bond for Two Lifetimes - Gleanings 3.5★ Peaches 4★ The Tale of the House of Physics 4.5★ Unforgettable People 3.5★ The 1963/1982 Girl from Ipanema 3.5★ Cambridge Circus 4★ Closet LLB 5★ Mr English 5★ Factory Town 3.5★ Dreams of Love, Etc. 3.5★ Shoulder-Top Secretary 5★ Hell Screen 4★ Filling Up with Sugar 5★ Kudan 4★ The Great Earthquake and General Kim 5★ Hiroshima, City of Doom 5★ Insects 3★ The Silver Fifty-Sen Pieces 4★ American Hijiki 3.5★ Pink 3.5★ UFO in Kushiro 4★ Weather-Watching Hill 3.5★ Planting 5★ Same as Always Just going through the titles evokes the much-relished stories in my mind. Yes, I will keep coming back to Japanese literature. And if Japan has made me devour mangas and anime with a zeal, it has also made me a more grounded reader in search for nuances and subtlety. To anyone wondering if they need lessons in Japanese culture before picking its literature, I say this : Go to the stories instead. The slow almost sensual pace of the stories makes one relish the anachronism without getting mentally jarred with each turn of the page. More than anything else, they draw heavily on human emotions. And no one needs lessons for those.

  11. 5 out of 5

    Claire

    While this has taken me nearly a month to read, I have very much enjoyed it. And it's great the stories are both old (early 1900's) and new (as recent as 2012) My favourite sections was 'Dread' the three stories in this sections , 'Hell Screen', 'Filling Up with Sugar' and 'Kudan' were fascinating stories. Loved them. Other favourites include: 'Shoulder-Top Secretary', 'Patriotism' and 'Weather-Watching Hill' as well as 'The Smile of a Mountain Witch' Stories that will stay with me: 'UFO in Kushiro While this has taken me nearly a month to read, I have very much enjoyed it. And it's great the stories are both old (early 1900's) and new (as recent as 2012) My favourite sections was 'Dread' the three stories in this sections , 'Hell Screen', 'Filling Up with Sugar' and 'Kudan' were fascinating stories. Loved them. Other favourites include: 'Shoulder-Top Secretary', 'Patriotism' and 'Weather-Watching Hill' as well as 'The Smile of a Mountain Witch' Stories that will stay with me: 'UFO in Kushiro', there is a strangeness to this story that makes me at peace as well as curious. Also enjoyed: 'The Tale of the House of Physics', 'Factory Town' "The time when she had genuinely loved these things, however, long past. Now she merely loved the memory of having once loved them,and the place in her heart had been filled by more intense passions, by a more frenzied happiness" - from 'Patriotism'

  12. 4 out of 5

    Jerry Pogan

    An absolutely sensational collection of short stories. It includes some of my favorite authors such as Mishima, Kawabata and Murakami but more importantly many authors I was unfamiliar with. I was a little disappointed that it didn't include one of my all-time favorites Kenzaburo Oe but that doesn't take anything away from just how good this book is. It opened a whole new field of authors that I can now read by giving a sample of the work they do. The translations were incredible and I felt that An absolutely sensational collection of short stories. It includes some of my favorite authors such as Mishima, Kawabata and Murakami but more importantly many authors I was unfamiliar with. I was a little disappointed that it didn't include one of my all-time favorites Kenzaburo Oe but that doesn't take anything away from just how good this book is. It opened a whole new field of authors that I can now read by giving a sample of the work they do. The translations were incredible and I felt that they were able to convey the feeling and intent of the authors and also the poetry of the writing. This has got to be one of the finest books I've ever read.

  13. 5 out of 5

    Pyramids Ubiquitous

    This was a very strong collection of stories. My only criticism is that there was a bit too much content regarding "Disasters, Natural and Man-Made;" they were mostly one-dimensional. Favorite Stories: The Story of Tomoda and Matsunaga, Patriotism, Unforgettable People, The 1963/1982 Girl from Ipanema, Mr English, Hell Screen

  14. 5 out of 5

    Katelijne Sommen

    There are several supremely haunting short stories in this thematic collection. I like that they're from a lot of different time periods, yet not arranged chronologically. A good introduction to both classic and more contemporary Japanese authors.

  15. 4 out of 5

    Greg

    A very mixed bag of short stories, some great, some okay and but many just so-so. If you want more details I suggest you read the detailed review by Gavin Leech.

  16. 5 out of 5

    Nick Harris

    japanese stories are so different haha. very weird and really enjoyable

  17. 5 out of 5

    rrrat ratt

    Great anthology, and the book itself is gorgeous. I loved the book design, the paper, and the typography. The selected short stories are very varied in style and historical periods, spanning from classics to lesser-known authors. I appreciate particularly the effort to include a fair amount of female writers to the selection. The stories are divided by thematics, which is also a very nice touch, bringing a good rythm to the overall reading experience compared to, for example, and alphabetical or ch Great anthology, and the book itself is gorgeous. I loved the book design, the paper, and the typography. The selected short stories are very varied in style and historical periods, spanning from classics to lesser-known authors. I appreciate particularly the effort to include a fair amount of female writers to the selection. The stories are divided by thematics, which is also a very nice touch, bringing a good rythm to the overall reading experience compared to, for example, and alphabetical or chronological/historical order. Personal favourites this anthology made me discover : - Ohba Minako, "The smile of the mountain witch" - Abe Akira, "Peaches" - Sawanichi Uten, "Filling up with Sugar" - Hoshino Tomoyuki, "Pink"

  18. 4 out of 5

    josé almeida

    outra belíssima surpresa oriental. com edição de jay rubin e um curioso prefácio de haruki murakami, neste lançamento recente são reunidos quase quarenta contos de autores japoneses - agrupados não cronologicamente mas sim por temas (o japão e o ocidente, homens e mulheres, natureza e memória, guerreiros leais, vida moderna, desastres, etc) - num conjunto representativo do que melhor se escreveu no japão em termos de narrativa curta. abre com uma quase novela de junichiro tanizaki e não foram esq outra belíssima surpresa oriental. com edição de jay rubin e um curioso prefácio de haruki murakami, neste lançamento recente são reunidos quase quarenta contos de autores japoneses - agrupados não cronologicamente mas sim por temas (o japão e o ocidente, homens e mulheres, natureza e memória, guerreiros leais, vida moderna, desastres, etc) - num conjunto representativo do que melhor se escreveu no japão em termos de narrativa curta. abre com uma quase novela de junichiro tanizaki e não foram esquecidos ryunosuke akutagawa, yasunari kawabata, yukio mishima, kenji nakagami, haruki murakami, mieko kawakami, fumiko enchi, banana yoshimoto, soseki natsume, entre muitos outros. algumas das histórias constituíram uma revelação, pois desconhecia que cert_s autor_s tivessem escrito contos. com edição cuidada, capa dura, bom papel e 500 págs, os cerca de 20€ que dei por ele na book depository (portes incluídos) foram quase uma pechincha.

  19. 5 out of 5

    Emmett Mottl

  20. 4 out of 5

    Duncan Chappell

  21. 4 out of 5

    Sawyer

  22. 5 out of 5

    Ella Eyckmans

  23. 4 out of 5

    Suren

  24. 5 out of 5

    Joseph Clarke

  25. 4 out of 5

    Callum

    Sweet, powerful short stories - with Japanese translations - allowing for bilinguals to test out their knowledge. Would recommend.

  26. 4 out of 5

    Stefan Kuschnig

  27. 4 out of 5

    Melissa

  28. 5 out of 5

    Monique Piquet

  29. 5 out of 5

    Chad Clark

  30. 4 out of 5

    Srinath Sundareswaran

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